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Wallpaper*: Faith Ringgold on capturing the complexity of the American experience: ‘It takes courage to be free’
27/10/22
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Art UK: Black British artists: expanding the idea of modern art
11/10/2022
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Wallpaper*: Honor Titus, punk band frontman-turned-painter: ‘jazz is the catalyst for everything’
12/09/2022
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Dazed: Sedrick Chisom’s paintings imagine a world that Black people have vacated
28/07/2022
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Dazed: Inside the new exhibition exploring sci-fi, myth and Afrofuturism
08/07/2022
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The Guardian: In the Black Fantastic review – reaching for tomorrow’s art world
28/06/2022
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i-D: Theaster Gates and Easy Otabor on the creative possibilities of Black art
20/06/2022
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Wallpaper*: Theaster Gates’ Serpentine Pavilion asks: how do you create a sacred space?
10/06/2022
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Hauser & Wirth: Leon Golub’s Unwavering Gaze
13/05/2022
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Artnet News: How Lynette Yiadom-Boakye’s Revelatory Tate Britain Retrospective Shakes the Institution Out of Its Comfort Zone
16/12/2021
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Frieze: Ralph Segreti On Abstraction, Politics and Responsibility in His Collection
03/10/2021
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WePresent: A Manifesto by Aindrea Emelife
01/10/2021
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Wallpaper*: Paul Mpagi Sepuya: mirrors, exposure and concealment
26/08/2021
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The Independent: Untitled: The exhibition that finally gives a forward-thinking display of diasporic art
10/07/2021
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Kinfolk: Archive: Bodys Isek Kingelez
08/06/2021
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The Art Newspaper: ‘No duds’: James Barnor’s photographs capture the rapidly changing societies of Ghana and the UK
14/05/2021
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Artnet News: How Lynette Yiadom-Boakye’s Revelatory Tate Britain Retrospective Shakes the Institution Out of Its Comfort Zone
16/12/2020
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Frieze: Kwesi Botchway’s Defiant Figures Examine the Black Experience
11/12/2020
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The Independent: Richard Hamilton: Respective review, Pallant House: A restless showcase of the early pop artist
09/12/2020
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GQ: Why Alexander Guy is Scotland's best forgotten painter
29/11/2020
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Vanity Fair: Still We Rise
01/11/2020
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The Independent: Visionary or cultural appropriator? Revisiting Bitches Brew artist Mati Klarwein
29/09/2020
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Frieze: Cecily Brown: Broken-Down Glory at Blenheim Palace
05/10/2020
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The Guardian: Philip Guston's KKK images force us to stare evil in the face – we need art like this
28/09/2020
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Independent: Barnett Freedman / Gilbert White review, Pallant House: Full of life and fervour
09/09/2020
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The Guardian: 'Hope flows through this statue': Marc Quinn on replacing Colston with Jen Reid, a Black Lives Matter protester
15/07/2020
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Artnet News: What Does a Social Justice Curator Do? The Bronx Museum’s Jasmine Wahi on Why Every Art Institution Should Have One
26/06/2020.
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The Independent: ‘There is a lot of hard work to be done’: How the art world can step up for Black Lives Matter
13/06/2020
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Bonhams: Life in colour: Rachel Jones